That Laura Ashley pattern is the most effective of all on the ground.
The pictures of you Andy and of Tank prove it.
But that black on green amoeba pattern you used at "East of England" (when you did the sniper in the tree) was excellent for broad-leaf trees and especially when the sun shone.
I like the Laura Ashley with the brown amoeba on it because it blends in with any brown leaf-mould on the ground.
The brown on brown is excellent (as can be seen on the pictures of Martin) when there is a higher percentage of brown about.
We must remember to cam up our hands and faces too or it will compromise the positive effects of the pattern.
Then there is movement to consider:
I watched a few people moving briskly whilst cammed to the hilt.
Its important to remember that the human eye is designed to react to movement!
Move slowly when you are able and only quickly when it is necessary.
While i think of it one of my pet hates is people who ,when on patrol and the groups comes to a halt, just remain standing up in a line.
It is far better when the guys in front come to a standstill to gently go down into a squat or kneel so that one minute you are up and moving ,then the next you just fade into the ground as if you were never there !
It should be instinctive that when you stop you fade into the undergrowth. Nobody can shoot you if they can`t see you.
It looks a darn sight more professional too when you comprae it with a section that just stops and stands there like a line of sitting ducks waiting to be mown down or picked off.
Just imagine what you look like through the eyes (and sights) of the fash?
The first things I emphasised to ant section I worked in was "Look outwards not inwards", "cover your arcs" and "when we stop....go down into cover".
Its the simple things that keep you alive !
